Reducing surface distortions to restore the clean, graphic quality of the composition

Overview

This Untitled painting on paper by Stik (2009) presented pronounced creases and surface distortions across the sheet. Although the damage did not compromise the overall stability of the work, it had a significant visual impact.  Against the large areas of flat colour and the simplicity of the composition, even relatively localised distortions became particularly noticeable, disrupting the otherwise clean and direct appearance of the image.

Conservation Strategy

The treatment focused on reducing the creases and improving the overall planarity of the sheet while respecting the physical characteristics of both the paper and the painted surface.Because the composition relies on broad areas of flat colour and strong graphic lines, even relatively subtle distortions disrupted its visual clarity. The aim was therefore to achieve a smooth and balanced surface without over-treating the paper or altering its material character.

Treatment

Following careful surface cleaning, the artwork underwent a combination of general and local flattening treatments.

To achieve an even overall result, temporary Japanese paper strips were attached around the edges of the sheet, creating false margins. These were secured to a secondary support during drying, allowing the natural expansion and contraction of the humidified paper to gradually reduce distortions and achieve an even overall surface.

Following treatment, a bespoke polyester sleeve was made to provide additional protection during handling and storage.

Outcome

The treatment achieved a remarkably even overall surface, significantly reducing both the general distortions and the more pronounced creases. With these irregularities no longer competing with the image, the broad areas of flat colour and strong graphic lines regained their visual clarity, allowing the composition to be appreciated without distraction while preserving the material character of the work.